I was just informed via my publisher via Barnes and Noble that middle-grade books simply cannot have photographic jackets. That's for YA only. This blows me away! And is it even true?
I am in that agonizing place where, having finished a novel, I'm thinking SO WHAT? I'm not being modest here. I'm really thinking at this low point that my hero did not NEED to tell his story! Those of you who know me for my WHO NEEDS TO TELL THIS STORY AND WHY DOES HE/SHE NEED TO TELL IT know that I am "hoist on my (own) petard" as Shakespeare would (sort of) say. And he would also (probably) say that I've got some nice characters but where the hell are the swords? the tricks and traps? the murderous rages? What's to keep my audience from leaving during intermission? Or before?
I've been here before. What have I learned? Anything?
“Hold on to the heart of what first makes you want to tell a story—that seed of inspiration, that character that haunts you, the moments you long to crystallize and bring to life. My goal is to couple that holding on with a practice of staying loose and softened and humble—remembering that the task is about questions, not answers.”
Is a writer someone who does not write every day? Or even every week? (GASP) Then I am not a writer. A "spurt writer", I call myself. I write when the mood strikes or an idea keeps biting my ankle and won't let go, or sometimes when I'm just plain ashamed of myself for being so lazy. Despite all this I've somehow managed to write a dozen MG and YA novels (thirteen counting my adult novel, Call It A Gift.) Spurt writers can blitz when they want to, or need to--meeting a deadline for revision, for example. I love writing. I'm never more alive than when I'm caught up in a character's life, going places I haven't been or didn't know I was going. I've just finished The Last Best Days Of Summer which will debut in the Spring of 2010, another Frances Foster/Farrar, Straus & Giroux book. Frances has been my editor since 1998 and I hope she always will be. She's simply amazing.
4 comments:
How bizarre!
I'd actually never thought about it. Interesting...
You soon will!
I've never heard of this. Time to observe...
I am in that agonizing place where, having finished a novel, I'm thinking SO WHAT? I'm not being modest here. I'm really thinking at this low point that my hero did not NEED to tell his story! Those of you who know me for my WHO NEEDS TO TELL THIS STORY AND WHY DOES HE/SHE NEED TO TELL IT know that I am "hoist on my (own) petard" as Shakespeare would (sort of) say. And he would also (probably) say that I've got some nice characters but where the hell are the swords? the tricks and traps? the murderous rages? What's to keep my audience from leaving during intermission? Or before?
I've been here before. What have I learned? Anything?
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